Paul has focused a camera on the faces of models, athletes, moguls and many more suspecting and unsuspecting individuals everywhere. He’s captured beauty for clients like Tommy Hilfiger, Nautica and Calvin Klein. He’s documented the stories of people, animals and places around the world—from Havana to the West Bank, from submarines to jet planes and everywhere in between. Like a good New Yorker, he’s contributed to a season of Law & Order, and has proudly defended East Coast breaks to fellow surfers he’s met on location on six continents.

    He’s shot documentaries for PBS American Experience, Discovery Channel, History Channel, BBC, Al Jazeera and Britain’s Channel 4, among others. His work is on permanent display in exhibits at the Ellis Island National Immigration Museum and the Smithsonian Institution’s National Museum of American History.

    After his dark and longish short, Leftovers, made the rounds of European film festivals, he realized what he had to do next was make a ten-minute funny film. And so, eventually, came Bunnycon.

    Passionate about cameras since childhood, Paul has always believed in the importance of merging technique and artistry—mastering tools to manipulate light and tell a compelling visual story. His practice of intertwining the technical and the creative has reached an apex with Drive, which he shot and co-produced with director James Rasin. A technical triumph, this epic, 58-hour film captures a journey across the United States in a single, hypnotic take.